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Frame Discreet Cinematographer Michael Leblanc created a very surreal look on Twilight, referencing the feeling of "The Polar Bear Express" and "The Saddest Music in the World". Shot on Super 16 with the Arri SR III & Fuji 500T (for a softer, grainier look). This film is a period piece. After some major testing, Leblanc settled on using a Soft FX 2 filter to create a diffused beautifully soft look (photographs above are without filters, just showing you our lighting setup for reference). Justin Lovell was shooting B Camera inserts with our Super 16 Bolex, 5.9 wide angle lens with Soft FX 1/2 filter. This camera was meant to capture a more jarring 'in your face' perspective of someone in the midst of the party happening on the train.
2 comments:
Does that mean Twlight was shot on super 16?
It's not "that" Twilight.
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