FrameDiscreet.com transfers // cinematography: Behind the Scenes- "Ten for Grandpa"

About Us

T R A N S F E R S

Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.

C I N E M A T O G R A P H Y

Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.

Questions? info@framediscreet.com.

Tuesday, January 1, 2008

Behind the Scenes- "Ten for Grandpa"

Frame Discreet cinematographer Guy Godfree runs the show with a beautifully orchestrated shot. You don't get to see all of the magic in the camera move, but you get a sense of what he was up to. Shot on super 35 at Wallace studios in Toronto. Justin Lovell makes a cameo adding some fill to the shot.

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Here's the shot from the video tap on the camera.