About Us
T R A N S F E R S
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Monday, July 13, 2009
On Location- "Tomasi" Music Video
Shot in the beautiful Gladstone Hotel in Toronto, Mikhail Petrenko did another gorgeous job lighting these tight spaces. We chose to shoot SI2k over the Red Camera for its small size and ability to be moved around quickly and easily. In one case - being tight for time - we had to get an over the shoulder shot of the model as she sat on the bed watching TV. We simply gripped a Cstand with a magic arm and armed it out behind the model with the SI2k on the end. Quick stable and easy setup that could have taken much longer with any other camera capable of 2k resolution! The shoot ran a little longer than usual, but we had the FD crew rockin' it with a great team enjoying every minute of it (even as standins for the performers...haha)!
Music Video: "Tomasi"
Camera: SI2k Mini- Angenieux 12-120mm, Switar 10mm/25mm, Schneider Xenon 50mm t-0.95. Recording to Solid State Toshiba Portege M750
Format: 2048x1080 Cineform raw
Director: Jeff Chan & Ludovic Chovino
Cinematographer: Mikhail Petrenko
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1 comment:
Hope Misha's wife doesn't see that pic with him and the girls.
- Kiran
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