About Us
T R A N S F E R S
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Monday, July 13, 2009
On Location- "Nokia" - Commercial
Fun little Nokia commercial spot directed by the talented Rob Pilichowski - soon to be known for his "all out war" bboy documentary. We shot the spot all on green screen with the SI2k mini. Having the spot meter on the camera interface is awesome for keeping a constant even exposure on the green screen. Also nice to have this feature when you're playing with variable frame rates and shutter speeds because it allows you to keep the exposure bang on no matter what variable you change. It tells you the exact IRE level wherever you tap on the screen. Post guys and colorists will love ya for that one.
Managed to get in a fun little game of footy after the shoot when fellow Frame Discreet cinematographer, Barry Cheong, dropped by to say hello.
Commercial: "Nokia"
Camera: SI2K Mini
Stock: 1920x1080 Cineform Raw, 29.97
Director: Robert Pilichowski
Cinematographer: John Price
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