About Us
T R A N S F E R S
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Monday, July 13, 2009
On Location- "This Movie is Broken" Short Film - Bruce McDonald
Ever been onstage at the Harbourfront in Toronto for Broken Social Scene with 6 red cameras filming the event? I have.. and it was awwweesoommee! Grateful for the experience to work again with Bruce and a very talented group of cinematographers and focus pullers. FD crew Mikhail Petrenko, John Price, Michael Leblanc and myself were all on hand lighting the after party and rockin out on the main cameras on the main stage. Afterparty was all rigged with china balls with 60W bulbs which barely gave enough exposure. They were immediately swapped out to 40W bulbs as soon as we wrapped shooting to maintain a darker enviroment for the guests. We also had a few 1k lights bouncing light around off walls and heavily diffused, to bring up the ambient light.
Video: "This Movie is Broken" - Short Film
Camera: 6 Red Cameras, 35mm Konvas, Canon 814XLS Super 8 & HVX-200 (for the afterparty)
Format: Red Raw 4k 23.98
Director: Bruce McDonald
Cinematographers: Mike Leblanc & John Price
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2 comments:
Hey Justin...nice meeting you on Saturday. Great BTS photos!
Yeah. That was fun.
-Rudy
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