About Us

T R A N S F E R S

Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.

C I N E M A T O G R A P H Y

Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.

Questions? info@framediscreet.com.

Friday, April 18, 2008

Transfer Stills- "Real Street" - 500T Super 8




Stills from recent transfer of Nick Norton's Super 8 colour negative. Just goes to show how much detail you really can get with the 7218 in low light situations. Even works well in Exterior day situations. Nice images Nick. The 220 deg. shutter gives you a slightly softer/motion blurred image but allows you to shoot in lower light situations.
Stock: 7218 500T
Format: Super 8, 24fps
Camera: Canon 514 SV Auto Zoom & Canon 1014xls with 220 deg. shutter
Cinematographer: Nick Norton
Transfer: Justin Lovell @ Frame Discreet
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