About Us
T R A N S F E R S
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Saturday, April 26, 2008
On Location- "Suck it Up Princess"
I was on set today shooting Documentary style alongside Bongo (shoots So You Think You Can Dance). Project is Suck it up Princess. Headed by Hop To It Productions, the show will be airing on OMNI in Canada.
We shot inside a large banquet hall on the 33rd floor. Used 3 1200W HMIs bounced into foam core on a balcony to help create a nice even fill on the floor and to balance out all the window light pouring in. Little frustrating working with the DSR 570 because I couldn't set the ZEBRAS to 100IRE. I like to be able to see where my whites clip at 100, but this camera only does max 90IRE. Brought out our JIB arm and got a few dynamic shots when I was able to. It was tough to sneak in the jib shots because I had a wide angle lens, two boom poles and a second camera man that I had to try and keep out of the frame.
Camera: Sony DSR 570
Show: Suck It Up Princess
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