About Us
T R A N S F E R S
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Friday, November 6, 2009
On Location- "Boonaa Mohammed - Green Card" - Music Video
Shot with our SI2K mini package, and small slighting kit. Double diffused the light source giving a very soft wrap around the artist and popped his eyes with a little catch light. Boonaa is an incredible artists and kept this approach very simple to let his presence shine through. The video posted does not have the final color correction applied to it.
Commercial: "Boonaa Mohammed - Green Card"
Camera: SI2K Mini
Stock: 1920x1080 Cineform Raw, 23.98
Director: Hassan Jama
Cinematographer: Justin Lovell
On Location- "Nokia Surge" - Commercial
Great time working with Rob Piltchowski and Frame Discreet Cinematographer John Price. I was camera assisting on the job and had an fun time laying out the circular dolly track and rigging the camera for some high angle shots. Commercial can be seen here.. and I even made a cameo :D
Commercial: "Nokia"
Camera: Sony V1U
Stock: 1920x1080
Director: Robert Pilichowski
Cinematographer: John Price
Sunday, November 1, 2009
On Location- "Unity Charity"
Some more behind the scenes from the Unity Charity video that I'm working on.
Runnin' around with the SI2k mini camera following around one of the craziest creative power bboys in Canada.
These kids are so lucky to have him as a mentor and a friend.
Promotional Video: "Unity Charity"
Camera: SI2K Mini
Format: 1920x1080 Cineform Raw, 23.98
Director: Mike Prosserman/Justin Lovell
Cinematographer: Justin Lovell
On Location- "The Bay"
Internal video for "The Bay". Thanks to Storymasters for getting me involved. They're a progressive company doing documentary and corporate films. I've worked with these guys a number of times and am always impressed with their approach to corporate videos. They leave me with a lot of creative freedom to attack it with a more cinematic approach to lighting and movement. Owner Randy Woolgar is fantastic with his directing and just.. well.. he just gets it.
Project: "The Bay"
Camera: XD HDCAM
Format: 1920x1080 30P
Cinematographer: Justin Lovell
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