About Us
T R A N S F E R S
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Finding that there is a lack of support for affordable high resolution transfers, I began researching my own ways to do it. I shot a few short films and soon thereafter other filmmakers began approaching me wondering how I got my super 8 to look so good... 5 years have passed and with the support of other cinematographers, I created our little studio called Frame Discreet. Our custom super 8 and 16mm transfers have us trusted by archivists and filmmakers all across North America.
C I N E M A T O G R A P H Y
Our team of cinematographers (listed below) act as a collective, inspiring each other on and off set. We have a full range of experience working on features (Max Payne, The Hulk) to music videos (Hayden, Emily Haines), to Documentaries (CBC, YTV, MTV, Bravo!). Having our own gear and being able to supervise transfers in house allows us the freedom to create desireable 'film looks' at a much more affordable rate. In the end, we're trying to make it easier to collaborate, work with film and keep doin' what we love.
Questions? info@framediscreet.com.
Saturday, October 31, 2009
Yukon Breakdancing - on location
Having a background in breakdancing, shooting dance films and traveling around the globe for documentaries led me into this wicked project... I was flown up North to find myself shooting breakdancing on helicopter landing pads in the mountains.
The project was to document the 'Klondike Heat Bboy Battle'. There was also an intensive 1 week breakin'/popping/locking/hip hop workshop happening. My job was to document the event and help create a promo video for the Yukon based GWS bboy crew.
Shot on the SI2k camera, with a skeleton crew it was a real challenge. I also taught a photography workshop and the girls I taught came out to help with the shoot and learn about lighting and cinematography. Thanks girls, you were awesome!
Thank you Andrea Simpson-Fowler for getting me involved in this project.. you rock!
Project: "Yukon Breakdancing"
Camera: SI2K Mini
Format: 1920x1080 Cineform Raw, 23.98
Cinematographer: Justin Lovell
Saturday, October 24, 2009
Super 8 shirts - Limited Edition
Custom Design by artist Mark Cabeuna
Limited run.
For the low low price of $15
(I'm not making anything on these, done just for the love of it).
All kinds of crazy color combinations available, including red, blue, black, grey, white, cream & neon green.
Email info@framediscreet.com with the size you want and I'll let you what colors are still available. Going like hot cakes!
Monday, October 12, 2009
New World Samurai - Promo Spot #1
Click to download MP4
Profiles 1 v.1 Promotional spot #1 for New World Samurai/Karma Studios. Shot on location in Canmore, Alberta. Fun project to work on, being allowed to explore the inner workings of an impressive tattoo studio & gallery. The artists at NWS are awesome. Really pumped about the images I was able to create with the T-0.95 lens, beautifully shallow depth of field and soft vignette. Lit by sculpting the natural and existing lighting with an instinctive documentary approach. Thanks to Steve Cosens for the inspiration to shoot this style.
Music Composition by the talented Byron Wong.
Camera: Panasonic GH-1, Schneider Xenon 25mm 0.95
Format: 720p, 59.94 AVCHD - interpreted to 23.98 Cineform
Cinematographer: Justin Lovell
Sunday, October 4, 2009
Super 8 Transfer Samples- 500T 7219
Super 8 Transfer Samples - 200t 7217
Thursday, October 1, 2009
Cinematography Workshops- Yukon
After a crazy turn of events, I was invited to teach a Frame Discreet cinematography/lighting workshop in the Yukon this summer. The workshop was for younger students interested in learning more about filmmaking. The workshop focused on natural lighting, lenses and basic photography concepts.
The images above are from some of the practical lessons, evaluating bounced lighting/no lighting and the different feelings you can evoke simply based on lens selection.
The gals taking the workshop were super keen and I'm looking forward to our follow up workshop to see what they create with their new knowledge!
On Location- "Unbearable Prospect" Performance
Teamed up to shoot the Gadfly dance crew on their acclaimed performance of Unbearable Prospect. It's an amazing showcase of the crew's versatility and combination of street dance styles. This was a special sold out one night only comeback performance after the show's success last year.
We shot the dress rehearsal on our SI2k Mini with our EZFX jib arm. The allowed me to be right in front of the stage without any restrictions on blocking viewers. Stuck to the 5.9mm wide Angenieux lens and drifted around the front of the stage capturing some really gorgeous movement.
I love shooting dance movement and working the flow of the camera movements to speak with the choreography. I was a operating the remote head while jib operator Tony Del Rio guided movement of the jib up/down/left/right. Another awesome time for the FD crew!
Project: "Unbearable Prospect"
Camera: SI2K Mini
Format: 2048x856 Cineform Raw, 23.98
Cinematographer: Justin Lovell
Labels:
crane,
ezfx,
jib,
on location,
si2k,
silicon imaging
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